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Films like Moonlight reveal the impressive amount of ground that can be covered when the people leading the project have a plan for lighting their black actors from the jump. Treachery in beatdown City screen courtesy of. Another problem area is inconsistent framing. Moonlight takes the stage in an industry that by and large has no idea what to do with its black actors—that constantly under-lights and backgrounds them—and drops a floridly explosive bomb in everyone's faces. An example of this is Bethesda's Skyrim , a game lauded at launch for its visual splendor. Going from the experience of a film like Moonlight to the majority of games is jarring. That practice has long been retired in favor of more diverse catalogues; isn't it time games caught up?

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Colorism is an internalized form of white supremacy that has roots in slavery, when lighter-skinned slaves were allowed to work in the master's house instead of his field.

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With ever-improving technology, it's seductive to believe that lighting darker characters will naturally improve alongside light ones. As the screenshots show, Tanya's Redguard perpetually has the same dark, umber hue despite being in different environments. To Breakup Squad developer Catt Small, tackling colorism in games is a worthy goal.

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